New review: Our dynasty 05.10.2017



The rich man, the emotions Chandraprakash Singh, a heated mom at the limit. Apparently? the extent of its influence on the son is so great that he is ready to marry again wife bore him a son. Since already two daughters in the family, there are mother again to give birth. I want to burst into an angry tirade about this. Well, until this transcendent emotion for the birth of the heir will be flooded with Indian society? Maybe it’s time to reconsider their backward beliefs and perceptions about the grace of its existence in the birth of none other but the boy? If the girl’s birth parents are not responsible and their birth immediately puts a proud father to a standstill, he binds his hands. A tough choice stands in front of the heroine of the film Sardou Knowing your hubby: neplastichnoe, the narrowness of his thinking — she has to make a decision is not quite adequate, this kind of explosion. The role of dreaming about the son of the father takes Amrish Puri. It is very well possible to play flash of uncontrollable anger and with a hurricane force to hurl them at anyone. Regardless of the degree of kinship. But, of course, like any Indian film, this is not only one of the waves of burning rage unbalanced Papanui-retrograde. As is known, after any storm in the sea, inevitably there comes a calm, and it comes in its usual calm state. And all the emotions have subsided, only once they realize and feel how great the power of love his son to a poor girl.

But not so simple, the filmmakers are still snake — demons that decided to expand our views and and poor dad. Narrow, extremely limited circle of brides and grooms of Indian cinema. And even if you go far to the North of Mumbai, is no guarantee you that you made a choice one way or another is not bound by your ancestors. Look at all this, of course, very funny, these scenarios, of course, have nothing to do with reality. They are rather distorted view of it, not display it. Although Indian cinema is all, and impossible it is possible. And here again the need for decision-making, an attempt to podmenivali, poorat, to direct. The decision-making processes, as usual, are dictated on the basis of national peculiarities and cultural traditions. Often under the influence of immediate emotions, habits, their own ideas about life, and that of the ordinary instincts. Sometimes even animal instincts subordination to the power. But only, perhaps, in Indian cinema all this results in a completely unexpected turn of events and not amenable to logic and common sense result. This to watch was wondering. Of course, the choice selection, but not only are they one full movie. Here and songs, and dances, and all like childlike inherent in the structure of classical Indian cinema. Because the function of the nervous system are not limitless and need to give her a break. But not for long, minutes 5 – 6, but throughout the film. Still film, I believe, is devoted to the variety of ways to keep my family together. Even the way took advantage of the heroine Asha Parekh the. It is beyond my understanding, but I judge from their point of view, not taking into account the device of the Indian families. Their social and spiritual ideals and values. I don’t know whether opening some new horizons in this film, probably not, these stories wander from movie to movie. But the main fact is to evoke in the viewer a response, to evoke a direct part in them and cause resonance. And only then begin to think, to analyze, to think. Well, the authors consider managed it. Sit, think analyze: what was it?



New review: Our dynasty 05.10.2017

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